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Lyrics for Whats My Age Again

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1999 single by Glimmer-182

"What's My Historic period Once again?"
WhatsMyAgeAgain.jpg
Single by Blink-182
from the album Enema of the State
Released April xiii, 1999
Recorded Jan–March 1999
Genre Popular punk
Length 2:26
Label MCA
Songwriter(due south)
  • Mark Hoppus
  • Tom DeLonge
Producer(southward) Jerry Finn
Blink-182 singles chronology
"Josie"
(1998) 		"What's My Age Again?"
(1999) 		"All the Modest Things"
(2000)

"What's My Historic period Again?" is a song by American rock band Blink-182. It was released in April 1999 equally the lead single from the grouping's third studio anthology, Enema of the State (1999), released through MCA Records. "What's My Age Again?" shares writing credits between the band's guitarist Tom DeLonge and bassist Mark Hoppus, but Hoppus was the master composer of the vocal. It was the band's first single to feature drummer Travis Barker. A mid-tempo pop punk song, "What's My Historic period Again?" is memorable for its distinctive, arpeggiated guitar intro.

The song lyrically revolves around the onset of age and maturity, and the failure to implement changes in one'south behavior. Hoppus declined to label the song every bit autobiographical, only admitted that he spent his twenties acting young. The trio recorded the song with producer Jerry Finn. It was originally titled "Peter Pan Complex", an innuendo to the pop-psychology concept, but the record characterization plant the reference obscure and adjusted the title. The vocal'southward signature music video famously features the band running nude on the streets of Los Angeles. It received heavy rotation on MTV and other music video channels.

It became one of the band's best-performing singles, peaking at number two on Billboard 'due south Modern Rock Tracks nautical chart in the U.S. for ten weeks. The song placed at number three in Italy and number 17 in the United Kingdom. Primarily an airplay striking, the song was the band'south first to cross over to pop radio, hitting number 58 on the Billboard Hot 100. The song received positive reviews and has been chosen a classic pop punk rails; NME placed it at number 117 on its listing "150 Best Tracks of the Past 15 Years" in 2012.[1]

Background and writing [edit]

Bassist and vocalist Mark Hoppus initially composed the song as a joke.

Blink-182, consisting of bassist Mark Hoppus, guitarist Tom DeLonge, and drummer Scott Raynor, formed in the early on 1990s, and by the end of the decade, had reached commercial success with their second anthology, 1997's Dude Ranch. Its lead single, "Dammit (Growing Up)", became 1 of the nigh-played U.S. modern rock hits of 1998,[2] sending its parent album to a aureate certification and bringing the members newfound notoriety and wealth. With his get-go accelerate from major-characterization MCA, Hoppus purchased a home in the band'south hometown of San Diego, California. Hoppus adult "What'southward My Age Again?" while sitting on the floor and playing guitar in his kitchen/living room.[three] He was attempting to play the song "J.A.R." by Green Twenty-four hours, which has a distinctive intro on bass guitar. While practicing playing the riff, Hoppus came upward with a new song derived from his failure to perform the part correctly.[4]

Though he initially developed it as a vulgar joke song,[5] he felt it had potential as a regular melody. Hoppus claims it took him five minutes to write. He subsequently presented the song to the band while rehearsing at DML Studios in Escondido, California, where they had booked time for two weeks to write new songs.[half dozen] Earlier that twelvemonth, Raynor had been expelled from the group and replaced with percussionist Travis Barker, previously of the ska-punk human action the Aquabats. He and DeLonge found the composition agreeable and farther adult it in the rehearsal space. The story in the song is not strictly autobiographical, just its central theme resonated with Hoppus, who spent his twenties by his own access "acting like a jackass teenager".[seven] Barker agreed, afterwards commenting: "[Marker] was a grown man but kept acting like a kid."[6] Many Glimmer songs middle on maturity—"more specifically, their lack of it, their attitude toward their lack of it, or their eventual wide-eyed exploration of it" co-ordinate to writer Nitsuh Abebe.[viii]

Composition [edit]

"What'southward My Historic period Over again?" is credited to Tom DeLonge and Mark Hoppus.[9] Though Barker helped write the songs on Enema of the Country, only Hoppus and DeLonge received songwriting credits, equally Barker was technically a hired musician, non official ring fellow member.[ten] The vocal is ii minutes and twenty-eight seconds long. The vocal is equanimous in the key of F-sharp major and is fix in time signature of mutual time with a driving tempo of 158 beats per minute. Hoppus' vocal range spans from C3 to F4.[11] It follows a I–V–vi–IV chord progression, mutual across several genres of music. The band utilize the progression in numerous other singles; music educator and writer Dan Bennett claims the progression is sometimes called the "pop-punk progression" because of its frequent use in the genre.[12] The song is incredibly brief compared to most singles; inside i minute, most two total verses and a chorus have been completed, and it in total runs ii minutes and twenty-half dozen seconds.[3]

The song opens with a catchy, arpeggiated guitar part, following the vocal's chords in playing the root of each chord. The function has been considered catchy to perform; given its quick, articulated nature, it tin be difficult to skip over the strings properly.[3] Hoppus's bass line, which has been compared to the Pixies' song "Debaser",[thirteen] situates on the root notes of each chord.[12] The song's first verse detail an intimate human relationship gone awry. Hoppus sings of wearing cologne in hopes to impress a girl on a weekend date. Upon returning home, foreplay ensues, during which the protagonist begins watching television.[14] This prompts his insulted partner to leave, leading into the song's chorus, in which Hoppus sings that "nobody likes you when you're 23." Hoppus was 25 when he wrote the vocal, and but included the lyric to rhyme. The song utilizes ability chords in its chorus, and substitutes the arpeggiated intro for palm-muted power chords in the succeeding verse.[3]

Each chorus is lyrically distinct, which was one of Hoppus's original goals; he felt this arroyo kept the song interesting and advanced the story in a creative way. Hoppus had one time read that "the best fine art is the evolution of familiarity": an artist introduces an idea, a listener connects with information technology, and the artist slightly alters the original thought to retain a familiar feeling.[iii]

Recording and production [edit]

"What's My Historic period Once again?" was the trio'due south get-go unmarried with drummer Travis Barker.

Afterwards further development, the grouping presented it to producer Jerry Finn. A veteran engineer, Finn came to fame mixing Greenish Solar day's breakthrough album Dookie (1994). Finn was suggested by the label as an choice for producing Enema of the State; the band got along with him immediately, and connected to work with him on their future projects. Finn would advise and make adjustments where necessary, though in the example of "What'south My Age Once more?", he had fiddling notes. By the fourth dimension Hoppus presented the song to his bandmates, the first poesy and chorus were written, with its second verse and bridge department needing further work. Hoppus and DeLonge crafted an instrumental span that went on for viii measures, which all agreed felt too long.[three] Finn assisted in shortening the section, and the group recorded a demo at DML Studios.

Within the new year, the grouping recorded the song proper. The drums on Enema of the Country were tracked at Mad Hatter Studios in North Hollywood, a infinite once owned by jazz musician Chick Corea. Hoppus remembered that Finn was meticulous in recording the kit, spending hours on microphone placement, as well as picking compressors and at which rate they would run.[three] Barker recorded his drum portions, every bit well equally the remainder of the album'south twelve songs, in eight hours.[fifteen] From at that place, Hoppus and DeLonge recorded their bass and guitar tracks at multiple studios throughout Los Angeles and San Diego.[ix] The ring brought in session musician Roger Joseph Manning Jr.—all-time known for his career in the band Jellyfish and piece of work with Beck—to add keyboard parts in the background of the song.[sixteen]

The song originally concluded later on its final chorus. While recording, Hoppus liked how the arpeggiated chord progression continued over the rhythm guitar line in the last chorus, and wished to extend its length to highlight this element. In the pre-digital recording environment, this required the team to "bounce" the mix from the analog tape recorder (a 24 rail two-inch record) to another tape, and splice the recordings together. With recording complete, the song was sent to engineer Tom Lord-Alge, who mixed the vocal at his S Beach Studios facility in Miami Beach, Florida.[17] Lord-Alge had had previously remixed the Dude Ranch singles "Dammit" and "Josie" for radio, and would work with the group oftentimes in the future. Lord-Alge added subtle touches, including a panning effect for the title phrase in the last chorus.[3]

Release and chart performance [edit]

The song'due south championship originally referenced fictional children'southward character Peter Pan.

The working title for the song was "Peter Pan Complex",[18] referencing the popular psychology concept of an adult who is socially young. Executives at MCA Records were uncertain that listeners would connect with the title, given it goes unmentioned in the song's lyrics. Previously, the label had appended parentheses to its two stateside singles from Dude Ranch: "Dammit (Growing Up)" and "Josie (Everything'southward Gonna Be Fine)". The label was as well concerned about litigation from the Walt Disney Company, who held rights to the name following their film adaption.[iii] The band disliked the suggestion,[19] but given the creative freedom MCA had afforded them throughout recording, agreed to the change. Hoppus later conceded the new title made more sense and "feels right".[3] Band management and characterization executives saw a strong single in "What'south My Age Again?" although DeLonge felt otherwise: "I didn't empathise it, because upward to that signal, we hadn't had a big unmarried."[xix]

Commercially, "What's My Age Once again?" became one of the band'south best-performing singles. It was picked equally the atomic number 82 single from Enema of the State. Information technology was kickoff serviced to radio in Apr 1999, and premiered on KROQ-FM, an influential Los Angeles culling station. Hoppus remembered the group were finalizing mixing the anthology when the song debuted.[xx] The song did best on Billboard 's Modern Rock Tracks nautical chart; the song showtime entered the chart during the week of May 8, where information technology debuted at number 21.[21] It offset hit the height v during the week of June 5,[22] and hit number two on July 24,[23] where information technology remained for ten weeks backside the Cherry-red Hot Chili Peppers' "Scar Tissue".[24] The song crossed over to mainstream radio in mid-1999, where it debuted at number 71 on the Billboard Hot 100 on July 17.[25] It later on peaked at number 58 in the outcome dated October 23.[26] The song had previously peaked at number 51 on the Hot 100 Airplay chart on September 11.[27] In the U.k., the vocal was released twice, showtime on September 20, 1999, and again on June 26, 2000, following the success of "All the Small-scale Things.[28] [29] The 2000 re-release peaked at number 17 on the Uk Singles Chart.[30]

Critical reception [edit]

The truth is that it was always a lilliputian strange for grown men to be writing songs about prom night and other high-school pitfalls, just "What's My Age Again?" works so well because it tackles that strangeness head-on. Aside from featuring Blink'southward nigh recognizable riff this side of "Dammit", the song is an honest, relatable assessment of what it feels like to be dragged kicking and screaming into machismo. It's rock and roll as escape, aye, but also as a kind of backpedaling. Permit the rock bands of the '70s champion sex and drugs; these guys just want to remember what information technology feels similar to exist kids again.

—Collin Brennan, Upshot of Sound [31]

Carrie Bell at Billboard deemed the song a "peppy punk anthem"[7] while Spin columnist Jeffery Rotter called information technology an "ideal tonic for back-to-schoolhouse nausea."[32] A Kerrang! author called the vocal "ridiculously infectious,"[33] while the New Musical Express (NME) derided the song as "more mindless, punk-pop guitar thrashing from the earth'southward current favorite American brats ... on the plus side, the song — much like Blink-182's career, we hope — but lasts for two-and-a-one-half minutes."[xxx] Stephen Thompson, writing for The A.V. Club, complimented its catchy sensibility, remarking, "y'all'll never become bankrupt creating an canticle for immature post-adolescents, fifty-fifty working within a well-worn genre."[34]

Later reviews have subsequently been positive. Jon Blisten of Beats Per Minute deemed it one of the tape's "finest songs," calling information technology a "twisted, cocky-depreciating exam of human-children."[35] In 2014, Chris Payne of Billboard called information technology "the quintessential Blink manifesto — the story of a 20-something who even so acts similar a kid."[36] The website Consequence of Sound, in a 2015 height 10 of the band'due south best songs, ranked information technology equally number six, with writer Collin Brennan observing that its title is "the question underpinning the entire Blink ethos".[31]

Music video [edit]

Filming [edit]

The opening shot depicts the ring running nude downwardly 3rd Street in Los Angeles.[37]

The music video for "What's My Age Once more?", directed by Marcos Siega, features the ring running in the nude through the streets of Los Angeles, likewise as through commercials and daily news programs.[38] It was filmed before long after completing the album, and was co-directed past Brandon PeQueen. Siega and PeQueen developed the idea from the band's onstage antics; Barker would frequently strip downwardly to his boxers due to heat, while Hoppus would sometimes disrobe entirely, with simply his bass guitar covering his genitals.[39] Siega had known the band for many years at that indicate, having seen them play small clubs years before.[40] He partially credited the idea to a belatedly-dark talk show segment almost a streaker. Hoppus and DeLonge were immediately receptive to the idea; Barker less so. "My brain kept going to the sort of anti-establishment punk rock ethic that I associated them with. Simply not in an aggro mode. They always came across to me as doing it with a wink," Siega later recalled.[16]

The group wore flesh-colored Speedos for most scenes.[41] The clip features a cameo appearance past porn star Janine Lindemulder, the model featured on the comprehend of Enema of the Land.[42] Barker remembered that motorists "kept staring at u.s. and honking their horns," and that the entire filming took about fifteen hours. "They most got into accidents," Hoppus told Rolling Rock.[43]

Popularity [edit]

The video first began receiving airplay in early May 1999, debuting on U.S. tv channels MTV, MTV2 and The Box.[44] The video was MTV's 2d-almost played video for the week ending August 1,[45] and remained a popular video on the channel for over two years.[46] The video was nominated for Best Alternative Video at the 2000 MVPA Awards,[47] but lost to Foo Fighters' "Acquire to Fly".[48] The band referenced the prune at the 1999 Billboard Awards, which opened with a prune of the band streaking through Las Vegas,[49] as well as through appearances on Total Request Live and the scripted sitcom Two Guys, a Girl and a Pizza Identify.[50] Entertainment Weekly writer Chris Willman called the video "ubiquitous".[xiv]

Marcos Siega, the video's director, in 2014.

The video gave the band a reputation for nudity,[38] leading many critics to pigeonhole them as a joke human action.[xiv] "It became something of an albatross as band members grew up," wrote Richard Harrington of The Washington Post.[50] "Yous know, when we were filming the video for "What's My Age Again?" the whole naked thing was only funny for like 10 minutes. Then, I was the guy standing naked on the side of the street Los Angeles with cars driving past me giving me the finger and shit. Information technology'south funny watching the video now, only at the fourth dimension, it stopped being funny ten minutes in, and it definitely wasn't funny three days into information technology," recalled Tom DeLonge.[38]

This reputation would lead the band members to take command of their marketing and image, as DeLonge afterward commented in 2014:

We were then naïve that we would run around naked, but they'd make it all sleeky and put it on posters and make it expect like we really were some kind of erotic boy ring or some shit. We were coming from the punk scene, but the characterization fashioned a whole thing around u.s.a. that we didn't even empathize; we were just kinda caught up in it. So information technology took us a little bit to dig out of that and come up back to who we really were. And it's hard to practise that once people spend millions of dollars making you lot into something visually that nosotros weren't.[51]

Legacy [edit]

"What'southward My Age Again?" has endured as amid the band's most popular songs, and has widely been considered a watershed moment for popular punk as a genre. Several of the group's contemporaries ranked the song among the nigh genre's virtually influential, including Jack Barakat of All Time Low, Pierre Bouvier and Chuck Comeau from Elementary Programme, and Tyson Ritter of the All-American Rejects.[52] Rolling Stone 's Nicole Frehsée wrote that, "For a new generation of emo fans and bands, Blink's irreverent, upbeat take on punk stone with hits like "What's My Age Once again?" and "All the Pocket-size Things" was hugely influential."[53] Twenty years after the song'southward release, Hoppus noted that fans often decorate birthday cakes on their 23rd birthday with the lyric "Nobody likes y'all when you're 23", which he felt was an accolade.[3] The ring afterwards paid homage to the vocal's infamous video in the music video for their 2016 single "She'south Out of Her Mind". The clip sees modern-day social media personalities running in the nude in Los Angeles. Lindemulder'southward identify in the video was taken past actor and comedian Adam DeVine.[54]

The Hollywood Reporter 's Mischa Pearlman, in a review a 2013 concert by the group, wrote that the song "visibly infects every member of the audience. Considering information technology's a song that recalls the reckless carelessness of youth, and the abandon of growing upward."[55] Although the magazine gave the vocal a scathing review upon its initial release,[thirty] NME placed it at number 117 on its list "150 Best Tracks of the Past 15 Years" most xiii years later, writing, "Few songs capture the urge of wanting to human activity stupid and exist young too as this 2000 single does. [...] This is everything pop punk does well. Its guitar riffs seem to have been soaked in Relentless and its chorus makes you want to spring effectually the room. Information technology's been imitated thousands of times since, just nix's come close to this..."[56]

By the late 2000s, gild promoters in the U.Chiliad. created nights based around lasting appreciation of the pop punk genre, including 1 named subsequently "What's My Age Over again?", described as a dark celebrating "pop-punk, youthful abandon and teenage riot".[57] British radio station BBC Radio 1 take a section on one of their shows named later on the single and using information technology as the theme song. Greg James originated the game on his drivetime show, and has moved information technology to The BBC Radio 1 Breakfast Show. The game sees Greg pitted against an opponent, typically a fellow Radio i DJ/presenter or celebrity guest. In the game, three listeners phone in and talk to the competitors, who take it in turns to inquire questions, then effort to approximate the listeners' age.

On March 26, 2019, the vocal was lauded past Princeton professor of music Steven Mackey during an interview between Hoppus and Mackey given at Princeton University.[58] Mackey praised the lyrics by saying, "it'due south very much this portrait of this kind of 23 yr old... Peter Pan complex", noting his enjoyment of the structure of the song, likewise as its tone. Mackey stated, "afterward the second chorus at that place'southward this instrumental break. And at that place's a lot of instrumental breaks in glimmer, which I really similar. This one in item, it goes to a small key. All of a sudden, it's kind of melancholy. And when they come out of that instrumental interruption, and I hear the rest of the words, information technology's sort of like... I feel like, wow, was that a moment of reflection? And then information technology's like, 'Ah, fuck it. Whatever.' It has that feeling. It sort of deepens it for me."[59]

Mashup [edit]

"What's My Age Again? / A Milli"
Single by Blink-182 and Lil Wayne
Released August 23, 2019 (2019-08-23)
Genre
  • Pop punk
  • rap rock
Length 2:25
Characterization Columbia
Songwriter(southward)
  • Mark Hoppus
  • Travis Barker
  • Tom DeLonge
  • Dwayne Carter
  • Ali Shaheed Muhammad
  • Kamaal Ibn John Fareed
  • Shondrae Crawford
Blink-182 singles chronology
"Darkside"
(2019) 		"What's My Age Over again? / A Milli"
(2019) 		"I Really Wish I Hated Y'all"
(2019)
Lil Wayne singles chronology
"Be Like Me"
(2019) 		"What'south My Historic period Once more? / A Milli"
(2019)

In May 2019, the band recorded a live mashup of the song with hip hop creative person Lil Wayne, to promote their joint headlining tour.[threescore] The track combines "What'south My Age Once more? and Wayne's 2008 single "A Milli". The duo afterwards released a joint digital single featuring a studio version of the mashup in August of that year.[61] The rail features Matt Skiba, who replaced founding guitarist Tom DeLonge in 2015, performing backing vocals and guitar. A press release promoted the new version, which was released to promote the second leg of the same tour, every bit a "new have on the track."[62]

The Fader contributor Jordan Darville noted that Wayne contradistinct a lyric from his original verse, substituting the term "crackers" for "bitches".[63]

Credits and personnel [edit]

Original version [edit]

Credits adapted from the liner notes of Enema of the Country.[nine]
Locations

  • Recorded at Signature Sound, Studio Due west, San Diego California; Mad Hatter Studios, The Bomb Factory, Los Angeles, California; Conway Recording Studios, Hollywood, California; Big Fish Studios, Encinitas, California
  • Mixed at Conway Recording Studios, Hollywood, California; South Embankment Studios, Miami, Florida

Personnel

Mashup version [edit]

Credits adapted from the YouTube video for "What's My Age Once more?" / "A Milli". Barker is credited with songwriting on this edition, equally opposed to his original credits for Enema of the State.[64]
Personnel

Glimmer-182
  • Mark Hoppus – bass guitar, vocals, songwriting
  • Matt Skiba – guitars, vocals
  • Travis Barker – drums, percussion, songwriting

Boosted musicians

  • Shondrae Crawford – songwriting
  • Tom DeLonge – songwriting
  • Kamaal Ibn John Fareed – songwriting
  • Ali Shaheed Muhammad – songwriting
  • Lil Wayne – vocals, songwriting

Production

  • Matt Malpass – engineer
  • Rich Costey – mixing engineer
  • Chris Athens – mastering engineer

Charts and certifications [edit]

References [edit]

Footnotes [edit]

  1. ^ "150 Best Tracks Of The Past 15 Years". Nme.Com. Retrieved January 12, 2012.
  2. ^ "The Year in Music 1998: Hot Modern Stone Tracks" (PDF). Billboard. Dec 26, 1998. p. YE-84.
  3. ^ a b c d e f g h i j k DeMakes, Chris (October 19, 2020). Chris DeMakes a Podcast. Ep. 21: Marking Hoppus discusses glimmer-182's "What'southward My Historic period Again?". Spotify.
  4. ^ Aniftos, Rania (Oct 10, 2020). "Blink-182's Marker Hoppus Reveals the Light-green 24-hour interval Song That Inspired 'What's My Age Again?'". Billboard . Retrieved November 2, 2020.
  5. ^ "Glimmer-182: Within Enema". Kerrang! (1586): 24–25. September 16, 2015.
  6. ^ a b Barker & Edwards 2015, p. 122.
  7. ^ a b Bell, Carrie (August 14, 1999). "The Modern Age". Billboard. Vol. 111, no. 33. p. 99. Retrieved June 1, 2014.
  8. ^ Nitsuh Abebe (September 25, 2011). "Sentimental Educational activity". New York. Archived from the original on September 6, 2012. Retrieved September 5, 2012.
  9. ^ a b c Enema of the State (liner notes). Blink-182. United States: MCA. 1999. 11950. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  10. ^ Barker & Edwards 2015, p. 119.
  11. ^ "Blink-182 What's My Historic period Once more? – Digital Sheet Music". Music Notes. EMI Music Publishing. Retrieved April 20, 2011.
  12. ^ a b Bennett, Dan (2008). The Total Rock Bassist, p. 63. ISBN 978-0739052693
  13. ^ "Record Club: Revisiting Blink-182′s 'Enema of the State'". Wondering Audio. October 14, 2014. Retrieved December 12, 2014.
  14. ^ a b c Willman, Chris (February 25, 2000). "Nude Sensation". Entertainment Weekly. New York Metropolis: Time Inc. (527). ISSN 1049-0434. Archived from the original on January 27, 2013. Retrieved January 7, 2013.
  15. ^ Barker & Edwards 2015, p. 123.
  16. ^ a b Siegel, Alan (July 31, 2019). "Don't Abound Upwards, Blow Up: The Rise of Glimmer-182". The Ringer. Archived from the original on July 31, 2019. Retrieved July 31, 2019.
  17. ^ Tingen, Paul (Apr 1, 2000). "Tom Lord-Alge: From Manson To Hanson". Sound on Sound.
  18. ^ Hoppus, Mark (2000). Blink-182: The Mark Tom and Travis Show 2000 Official Program. MCA Records. p. 14.
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  29. ^ "New Releases – For Calendar week Starting June 26, 2000: Singles". Music Week. June 24, 2000. p. 27.
  30. ^ a b c Shooman 2010, p. 69.
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  34. ^ Thompson, Stephen (June 1, 1999). "Review: Enema of the State". The A.V. Society. Archived from the original on October 22, 2012. Retrieved July eighteen, 2012.
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  38. ^ a b c Hoppus 2001, p. 97.
  39. ^ Barker & Edwards 2015, p. 124.
  40. ^ "Marcos Siega: The Rock Guy". MTV News. 2000. Retrieved March 5, 2015.
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  49. ^ Shooman 2010, p. 71.
  50. ^ a b Richard Harrington (June eleven, 2004). "Seriously, Blink-182 Is Growing Upwardly". The Washington Mail . Retrieved February 25, 2014.
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  52. ^ Kaplan, Ilana (Nov 20, 2020). "x Popular-Punk Artists On The Genre's Essential Tracks". Nylon . Retrieved October 22, 2021.
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Sources [edit]

  • Barker, Travis; Edwards, Gavin (2015). Can I Say: Living Large, Cheating Decease, and Drums, Drums, Drums. William Morrow. ISBN978-0-06-231942-5.
  • Hoppus, Anne (October 1, 2001). Glimmer-182: Tales from Below Your Mom. MTV Books / Pocket Books. ISBN0-7434-2207-4.
  • Shooman, Joe (June 24, 2010). Blink-182: The Bands, The Breakdown & The Render. Independent Music Press. ISBN978-1-906191-10-viii.

External links [edit]

  • Music video on YouTube

alaimothessaft.blogspot.com

Source: https://en.wikipedia.org/wiki/What%27s_My_Age_Again%3F

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